Category Archives: Machine Drawing

April 25, 2013 Spring Memories

Hello friends,

When violets appear I know spring is really here.  My mother always put violets on my Birthday Cake when I was growing up.  I celebrated this week.

Here is the same branch as last week.   The leaves are two and three times as big as before.   Mother Nature sure moves things along this time of year.

This week has been a very full one.  I started out by going to the opening of the Recycle Show at the Art Center in Rome NY last Thursday evening.  I am so delighted to report that my friend Barbara won “Best of Show” for her piece.  She even mentioned me when she accepted the award as I had contributed some of the stuff she included.  Our mutual interest in Rust helps.   Last Friday I went off to the Turquoise Street Studio and played along with the gals.  Both are pushing them selves for new work for two different shows that are coming along in the next few weeks.  Beth was finishing up work and Barbara was starting a new work.  They both work from personal Photo graphics, starting by  first drawing in Charcoal and then adding the color on top.   I printed some of my insects stencils in preparation for the workshop I will be directing  on Friday.   I like to do all the processes again before I teach them.  I learned that I want to encourage my students tomorrow- to work toward openings that are under three inches wide.  The back  wings of the crickets were challenging to fill with the oil sticks and I do want the students to be successful without difficulty.

Rain Run
21 ” X 31″

Progress Report: Rain Run ( formerly Golden Rain)   I changed the title of this work because as I stitched the wrapped pipe cleaners to the surface, I felt that the idea of rain running down the window was not  represented with the title of golden rain.     I like the way the “drops” like they are moving.  But it is really hard to keep this quilt flat as the wire has a memory and every time you lift or shift the surface it does not go back to flat without pressure.   The copper ribbon really reflects the light like the setting sun was doing on the window the day I noticed how rain ran down the glass.   It is a great memory and I am glad to have captured it with this work.

Before The Buds     This quilt has gone through some major changes sense last week.  First of all I made a stencil with this quilt in mind.   I drew it on the back of a piece of handy cardboard as I was not in the studio.

I did the drawing with a marker and kept the positive of the cut as well as the portion I used.  My thinking was that I could use it for a stencil too and just add the growth around it.  I stenciled five trees on the surface  of the quilt .  Then I got our some “Solvy” a corn starch material that is a water soluble stabilizer, and drew a tree with a permanent marker on the Solvy.  Then I  drew the tree with the sewing machine and lots of thread.   When I was happy with the appearance a I washed out the stabilizer and had my  thread tree.    I will use the  machine on free motion to attach the tread tree to the surface.  I did the the majority of the drawing on the stabilizer because all this thread work on the surface of the quilt would cause a lot of distortion of the fabric.  This way I can quilt and add the tree to the surface and stand a chance of the final product being flat.     I have not done any of this “drawing” in a long time and it felt good to use this technique again.   I am sorry that the shadow makes the picture look a bit fuzzy, but feel it will look fine on the quilt.

 

Brass Bits

  I have been working away on the hand appliqueing of the brass units on this quilt for several weeks.  I feel that part of the process is now complete.  So I trimmed it and placed it on a backing fabric.  The yarn is pinned on the surface and that will get machine stitched down and become a part of the quilting on this work.  I will have to see how much additional quilting the piece needs to be stable after that point.   It was a personal challenge to add all of the brass pieces that Sharron sent me on the surface of this quilt.  I enjoyed another chance to do some fancy hand stitches on a piece as well.

DMC Challenge – Dawn’s fabric.    This was only a bunch of triangles pinned to the wall last week.  I decided that I could use the challenge fabric with it and make the idea work.  It is OK and because the challenge is meant to be an exercise as much as anything I am satisfied with it.  After talking with Marty about the challenge we agreed not to complete the projects before we got together.  It makes transport in the suit case a lot easier as I will be flying out to meet them.    Now I need to go back and see if I can save the other two parts of this challenge.

New Work    I am auditioning these fabric pieces for the possible next  Egyptian quilt.  At the moment I think it needs a new ” star” stencil fabric to do the trick.  So I will think on that and keep you posted as to the dynamics.     I guess all this prep for the stencil class is really pushing me forward.

Keep Creating Friends

Hugs

Carol

 

Crows January 5, 2012

Drawn by the sound of  crow calls I watched the birds take there flight in the early dawn this morning.    They  were commuting  against a strong  gusting wind as they departed from Oak-wood Cemetery were they roost in the winter, to each of their respective hunting grounds.    The flight is powerfully beautiful in its grace of movement as it was contrasted against a silver gray sky that was dotted with little blown  snow flakes today.  Living with the daily routine of these creatures has made me pay attention to their existence and has enriched my life.    I have made several quilts with crows as the stars.  Their simple dark forms show up so very well against so many surfaces that I always find it to be an enjoyable task to build a work around them.   Sense they are present so much around were I live I have many opportunities to watch them in their daily routines.    At the moment with the fresh snow they stand out quite sharply  as they dance around the ground in there search for food.   I like too how they cluster together in the evenings as they gather for the night.  All heads facing the wind  and raucously  shouting to one another filling first one tree top then another.   Then taking flight at the same time without a seeming signal as they then move a bit closer as a cluster toward the final roosting place.  All the time the numbers increase as they move toward a movable base and the sound becomes louder and louder as more birds stream back.    I have tried to walk to the center of were they gather for there night roosting- I have never been successful.   But that is the fascination of it for me.

Progress Report:

 DMC Challenge   Sphere System- 

This challenge started on my is visit to Marty in Oct.   I spent a lot of time this week working on the DMC project.

Two panels with different things pinned to the surface

This was one attempt with two partial copies of were I thought I was going.  I experiment by pinning things up and this is an example of that process. As it turned out I hated the layered X- cut fabric  on top.  I like the texture- and the idea – but it is not the place to use this idea.

So what I ended up with is this:Deep blue green, turquoise, and CrimsonThe irregular edges are proving to be a challenge, but I think I will work it out.

Machine Drawing

Chamomile

 Mock up of the quilt in half finished shate
I had originally though that this quilt would be done as machine drawing of Golden Rod.  But the silk thread was too heavy for the machine and kept creating a mess on the back of  the quilt so I took it all out.   I could not look at or deal with the work for several mouths.   Returning to it, I found I really like the fabric lay out, so I looked for a new subject matter.    I came across this card of Chamomile and used it as my inspiration instead.

Green background with machine drawing   I have only completed one of the plants in this photo.  I have sense put in two more- one on each side of this one.  the additional quilting adds to the final effect quilt nicely.  I am in the process of adding the facings to this work and I am sure I will complete it this week.

Twinkling Tracings

I have continued to work on the commission too. It now has a title and is called Twinkling Tracings.  This  is the first panel in the series. It is currently being pressed flat under my big cutting matt with half of the books from my shelves resting on top.  The two other panels will get the same treatment and then I will be done with the studio part of the job.

Gold and brown field with blue zig-zagging across
Twinkling Tracings-

 

 

 

 

 

 

 

 

 

 

 

ISIS Quilt

Horizonal quilt of Isis in gold on a cream filed surrounded by other Egyptian images
Isis
gold beetle on cream
Isis- close up

This is the Isis quilt all finished.  It came out quite quickly for me .  I think this will be the last of the Egyptian quilts for a while.  I do not think I even would have done this last one if I had not been reviewing my goddess series and wondering how I could go forward with that idea.    The question remains what will be the next goddess quilt?

 

 

 

 

 

Fractured- paper quilt  and  Fragments

We all have times when what we thought would work is a failure.  Well such is the case with this piece.  I started out making a quit that would feature a three dimensional tunnel shaped addition.  The back got created and the tunnel got created- but they did not work together at all.

Paper quilt in blue and white with gold ribbon
Fractured

So I created a cracked paper quilt to put the tunnel on.  They  did not work  together either……. So I played with the paper quilt . cut some triangular wholes- added some  paint and gold ribbon.  Fractured was born and I like it all on its own.  OK- so this exploration has lead to one more project.

I took the fabric quilt back that I had originally made for the tunnel and applied the flattened beads I had created with play dough  to its surface.  The beads were made as a play project with my grand son a few weeks ago.  I had stamped them with an Egyptian stamp and though they might be used on one of the first Egypt quilts.  But they did not work there.  Too much of a color contrast for those works.

Gold and blue background with blue add ons
Fragments
Blue playdought bead with silver paint
Fragments- close up

This detail shows a close up of one of the beads.  The surface was brushed with a white paint to high light the presses images.

I still do not have a home for the tunnel- but it may be like the beads, something that just has to shift around in the studio for a while before it finds a home.  I will be OK with it if that never happens because I know it was an experiment and  there are bound to me miss fires when one is playing that way.

 

 

 

I have had a good creative start to the new year and I hope I can continue to work successfully solving  the problems as they come my way.

Keep Creating

Carol